| Poetry |
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- Tammy Armstrong, “Salt”
- Brian Bartlett, “A Reader at Thirteen”
- Gerard Beirne, “Meditation #33: The Hour is Upon Us”
- George Elliot Clarke, “Respecting Mrs. Henry Tucker”
- Anne Compton, “Cab Ride, Paris,” “Footwork in Four Seasons,” and “Plovers”
- Matt Cornfield, “All That Happens Before Winter”
- Michael Crummey, “In Transit,” “The Selected ,” “Albert,” and “The Skeptics”
- Mary Dalton, “Netted,” “Appliqué,” and “Invitation Cards”
Line source list for all three Mary Dalton poems
- Lynn Davies, “Moving Day” and “Nasturtiums”
- Jesse Patrick Ferguson, “Wish List”
- Carole Glasser Langille, “What I could have learned by the light of misfortune”
- Sue Goyette, “From ‘Ocean'” and “fashion: for the crossing”
- Warren Heiti, “Notes Toward a Poem of Great Village”
- David Helwig, “Mischance”
- *“Mischance” was mistakenly published with italics in the hard copy of issue #180. Read “Mischance” here, as it should be.
- Sean Howard, “Catalogue”
- Claire Kelly, “Reading Alden Nowlan’s ‘Hens’ at the Laundromat” and “Wilde Paints the Parlour White”
- M. Travis Lane, “Mentor Moon” and “Bird Count”
- Ian LeTourneau, “A Different Focus”
- Brent MacLaine, “Bestiary”
- Carmelita McGrath, “With Apologies to the Little Dove”
- Steve McOrmond, “They”
- Lorri Neilsen Glenn, “And a tatted scarf, Sfakian black”
- Michael Pacey, “Hawk and Handsaw”
- Peter Sanger, “The Hangar”
- Anne Simpson, “Sutra One,” “Sutra Two,” and “Sutra Three”
- John Steffler, “Cuneiform,” “Winter Quarters,” and “The Sea Still Looks Welcoming”
- Harry Thurston, “Still Life with Golden Bream”
- John Wall Barger, “Utøya”
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